{"id":2,"date":"2012-10-11T18:08:26","date_gmt":"2012-10-11T18:08:26","guid":{"rendered":"http:\/\/joelprieto.lennysstudio.com\/?page_id=2"},"modified":"2026-10-08T07:28:13","modified_gmt":"2026-10-08T07:28:13","slug":"about","status":"publish","type":"page","link":"https:\/\/www.joelprieto.com\/es\/about\/","title":{"rendered":"Biograf\u00eda"},"content":{"rendered":"\t\t
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Biography<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Since being unanimously awarded First Prize at Pl\u00e1cido Domingo\u2019s Operalia competition in 2008, tenor Joel Prieto has established himself as one of the leading artists of his generation. Born in Spain and raised in Puerto Rico, he captivates audiences with the depth, dramatic intensity and passion of his performances, bringing vitality, elegance and beauty to his characters.<\/p>

He has performed at many of the world\u2019s most prestigious opera houses and concert halls, including the Bolshoi Theatre in Moscow; the Royal Opera House, Covent Garden, and Wigmore Hall in London; Teatro Real in Madrid; Gran Teatre del Liceu in Barcelona; Palau de les Arts Reina Sof\u00eda in Valencia; \u00d3pera de Oviedo; Teatro de la Maestranza in Seville; Staatsoper Unter den Linden and Deutsche Oper Berlin; Semperoper Dresden; Bayerische Staatsoper in Munich; Washington National Opera; Houston Grand Opera; Los Angeles Opera; Op\u00e9ra national de Paris and Th\u00e9\u00e2tre du Ch\u00e2telet in Paris; Th\u00e9\u00e2tre du Capitole in Toulouse; Op\u00e9ra de Monte-Carlo; La Monnaie in Brussels; Theater an der Wien and Wiener Konzerthaus in Vienna; Teatro dell\u2019Opera di Roma; the Concertgebouw in Amsterdam; Teatr Wielki in Warsaw; the National Centre for the Performing Arts in Beijing; NHK Hall in Tokyo; \u00d3pera de Puerto Rico; Teatro Col\u00f3n in Buenos Aires; and Teatro Municipal de Santiago in Chile.<\/p>

He has also appeared at major international festivals, including the Salzburg Festival, Santa Fe Opera, Glyndebourne Festival, Edinburgh International Festival, Festival dei Due Mondi in Spoleto, Festival d\u2019Aix-en-Provence, Casals Festival and the Mostly Mozart Festival at Lincoln Center in New York.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/p>

Joel Prieto was born in Madrid to a Spanish father and a Puerto Rican mother. At the age of four, he moved to Puerto Rico, where he grew up. Raised in a deeply artistic environment, he began studying the violin at five and joined the San Juan Children\u2019s Choir at six. He studied at the University of Puerto Rico, the Puerto Rico Conservatory of Music and the Manhattan School of Music in New York. He subsequently moved to Europe, joining the Atelier Lyrique at the Op\u00e9ra national de Paris and later the Salzburg Festival\u2019s Young Singers Project. From 2006 to 2008, he was a member of the ensemble at Deutsche Oper Berlin.<\/p>

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Cos\u00ec fan tutte - Washignton National Opera - 2012<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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La Finta Giardiniera - Glyndebourne Festival - 2014<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Throughout his career, he has appeared in numerous productions recorded for DVD and broadcast internationally. He has worked with conductors including Zubin Mehta, Fabio Luisi, Yannick N\u00e9zet-S\u00e9guin, Trevor Pinnock, Robin Ticciati, Daniele Gatti, Roberto Abbado, Ivor Bolton, Ottavio Dantone, Daniele Callegari, Bruno Campanella and \u00c1d\u00e1m Fischer, and with stage directors such as Sir David McVicar, Robert Carsen, Claus Guth, Christof Loy, Emilio Sagi, Barrie Kosky, Francisco Negr\u00edn, Stephen Lawless, Harry Kupfer, Frederic Wake-Walker and Hans Neuenfels.<\/p>

Prieto began his career singing leading roles in the Mozart and bel canto repertoire and has gradually expanded into the full lyric tenor repertoire, taking on roles such as Edgardo, Don Jos\u00e9, Pinkerton, Ruggero, Rodolfo, Werther, Gabriele and the Duke of Mantua. Recent seasons have marked a particularly significant stage in this development. He has enjoyed considerable success as Don Jos\u00e9 in Carmen<\/em>, which is becoming one of his signature roles, with performances at ADDA in Alicante, with the Stavanger Symphony Orchestra at Stavanger Concert Hall, and at Opera Ballet Vlaanderen. He also earned considerable acclaim for creating the title role in the world premiere of El caballero de Olmedo<\/em> at Teatro de la Zarzuela in Madrid. Other recent highlights include Nemorino in L\u2019elisir d\u2019amore<\/em> at ABAO Bilbao Opera, Ferrando in Cos\u00ec fan tutte<\/em> in Tokyo, Narraboth in Salome<\/em> at Teatro dell\u2019Opera di Roma, Alfredo in La traviata<\/em> at Astana Opera, Cassio in Verdi\u2019s Otello<\/em> at the Op\u00e9ra national du Rhin in Strasbourg, and Camille de Rosillon in The Merry Widow<\/em> at the National Centre for the Performing Arts in Beijing.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\u201cPrieto\u2019s firm and dramatically warm voice, which reaches incredible highs of beauty and magnificence, has that perfectly balanced blend of inner ardor and great musical heritage\u2019s mighty brightness. A truly enriching night of majesty and cultural satisfaction even for the hardest to please.\u201d\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\t The Upcoming<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Highlights of the current season include his debut at the Op\u00e9ra national de Lorraine in Nancy as Cassio in Verdi\u2019s Otello<\/em>, his return to the Grand Th\u00e9\u00e2tre de Luxembourg in the same role, and his debut at the Royal Swedish Opera in Verdi\u2019s Messa da Requiem<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Carmen - ADDA Simf\u00f2nica - 2021<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The tenor has collaborated with conductors such as Zubin Mehta, Fabio Luisi, Yannick N\u00e9zet-S\u00e9guin, Trevor Pinnock, Robin Ticcati, Daniele Gatti, Roberto Abbado, Ivor Bolton, Ottavio Dantone, Daniele Callegari, Bruno Campanella, Adam Fischer and stage directors such as Sir David McVicar, Robert Carsen, Claus Guth, Christof Loy, Emilio Sagi, Barrie Kosky, Francisco Negr\u00edn, Stephen Lawless, Daniel Satler, Harry Kupfer, Frederic Wake-Walker and Hans Neuenfels, among others.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\u201cPrieto\u2019s firm and dramatically warm voice, which reaches incredible highs of beauty and magnificence, has that perfectly balanced blend of inner ardor and great musical heritage\u2019s mighty brightness. A truly enriching night of majesty and cultural satisfaction even for the hardest to please.\u201d\t\t\t<\/p>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\t The Upcoming<\/cite>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/blockquote>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Joel Prieto won several awards at the 2008 Operalia competition: First Prize, the Zarzuela Prize and the Culturarte Prize. In 2013, he also received the \u201cVoces del A\u00f1o\u201d award for Best Male Voice from the Asociaci\u00f3n de Cantantes L\u00edricos de Espa\u00f1a.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Repertoire<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tOPERA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V. Bellini<\/strong><\/p>

Tebaldo, I Capuletti e i Montecchi\u00a0<\/em><\/p>

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G. Bizet<\/strong><\/p>

Don Jose, Carmen<\/em><\/p>


<\/em>Nadir, Les Pecheurs des Perles\u00a0<\/em><\/p>

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G. Donizetti<\/strong><\/p>

Nemorino, L’elisir d’amore<\/em><\/p>

Fernand, La Favorite<\/em><\/p>

Edgardo, Lucia di Lammermoor<\/em><\/p>

Gennaro, Lucrezia Borgia\u00a0<\/em><\/p>

Roberto Devereux, Roberto Devereux<\/em><\/p>

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C. Gounod<\/strong><\/p>

Faust, Faust<\/em>\u00a0<\/p>

Romeo, Romeo et Juliette<\/em><\/p>

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J. Massenet<\/strong><\/p>

Des Grieux,\u00a0Manon<\/em><\/p>

Werther, Werther<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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W.A. Mozart<\/strong><\/p>

Tamino, Die Zauberfl\u00f6te\u00a0<\/em><\/p>

J. Offenbach<\/strong><\/p>

Hoffmann, Les contes d’Hoffmann<\/em><\/p>

G. Puccini<\/strong><\/p>

Rodolfo,\u00a0La boh\u00e8me<\/em><\/p>

Pinkerton, Madama Butterfly<\/em><\/p>

R. Strauss<\/strong><\/p>

Narraboth,\u00a0Salome.<\/em><\/p>

P.I. Tchaikovsky<\/strong><\/p>

Lensky, Eugene\u00a0Onegin<\/em><\/p>

G. Verdi<\/strong><\/p>

Alfredo,\u00a0La Traviata<\/em><\/p>

Duca di Mantova, Rigoletto<\/em><\/p>

Gabriele, Simon Boccanegra<\/em><\/p>

Riccardo,\u00a0Un ballo in maschera<\/em><\/p>

Cassio, Otello<\/em><\/p>

Kurt Weill<\/strong><\/p>

Sam Kaplan, Street Scene.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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J.S. Bach<\/strong><\/p>

Johannes Passion<\/em><\/p>


Magnificat<\/em><\/p>


Osteroratorium<\/em><\/p>


Weihnachtsoratorium<\/em><\/p>

L. V. Beethoven<\/strong><\/p>


Christus am \u00d6lberg<\/em><\/p>


Missa Solemnis<\/em><\/p>


Symphony No. 9<\/em><\/p>

H. Berlioz<\/strong><\/p>


Messe Solennelle<\/em><\/p>

G. H\u00e4ndel<\/strong><\/p>


Alexander\u2019s Feast<\/em><\/p>


Messiah<\/em><\/p>

J. Haydn<\/strong><\/p>


Die Jahreszeiten<\/em><\/p>


Die Sch\u00f6pfung<\/em><\/p>


Die sieben letzten Worte<\/em><\/p>


Stabat Mater<\/em><\/p>


Theresienmesser<\/em><\/p>

F. Mendelssohn<\/strong>
<\/em><\/p>

Elias<\/em><\/p>


Paulus<\/em><\/p>

G. Mahler<\/strong><\/p>

Das Lied von der Erde<\/em><\/p>

W. A. Mozart<\/strong><\/p>

Requiem<\/em><\/p>

Great Mass in C minor\u00a0<\/em><\/p>

G. Verdi<\/strong><\/p>

Requiem<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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F.M. Torroba<\/strong><\/p>

Javier Moreno, Luisa Fernanda<\/em><\/p>

\u00a0<\/p>

A. Vives<\/strong><\/p>

Fernando, Do\u00f1a Francisquita<\/em>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Rodelinda - Gran Teatre del Liceu - 2019<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Biography Since being unanimously awarded First Prize at Pl\u00e1cido Domingo\u2019s Operalia competition in 2008, tenor Joel Prieto has established himself as one of the leading artists of his generation. Born in Spain and raised in Puerto Rico, he captivates audiences with the depth, dramatic intensity and passion of his performances, bringing vitality, elegance and beauty […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"elementor_header_footer","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":0,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}