{"id":1213,"date":"2017-03-03T10:29:00","date_gmt":"2017-03-03T10:29:00","guid":{"rendered":"https:\/\/www.joelprieto.com\/?p=1213"},"modified":"2021-05-03T14:24:45","modified_gmt":"2021-05-03T14:24:45","slug":"joel-prieto-to-sing-the-flute-and-the-abduction","status":"publish","type":"post","link":"https:\/\/www.joelprieto.com\/es\/2017\/03\/03\/joel-prieto-to-sing-the-flute-and-the-abduction\/","title":{"rendered":"Joel Prieto to sing \u201cThe Flute\u201d and \u201cThe Abduction\u201d"},"content":{"rendered":"<p><strong>-The tenor returns to Dresden and Warsaw in April and May, in both cases with Mozart operas.<\/strong><\/p>\n<p>March 2017<br \/>\nThe tenor Joel Prieto, winner of the 2008 Operalia Competition, made his debut at the Los Angeles Opera (USA) this January as Belmonte in the Mozart opera <i>The Abduction from the Seraglio<\/i>\u2013 \u201cprobably the most difficult role that I have sung in my career,\u201d according to the young singer, who triumphed on the occasion with both audiences and critics alike. \u201cPrieto has Mozartian vocal virtues, with a delicate line, excellent passagio and infinite <i>fiato<\/i> \u2026 His is a voice of true quality\u2026 His performance reached perfection\u201d. \u201cJoel Prieto sang a Belmonte almost with the sound of the oboe, always in the exact centre of the note\u201d.<\/p>\n<p>The tenor, who was born in Madrid, brought up in Puerto Rico and trained in New York, will be faithful to Mozart throughout April, May and June. He will return to the Dresden Semperoper (Germany) to sing Belmonte in seven performances, whilst, on the 28th April, he will give a one-off performance as Prince Tamino in <i>Die Zauberfl\u00f6te<\/i> at the Teatr Wielki in Warsaw (Poland), where the Polish National Opera is based. This will be a repeat of the acclaimed Barrie Kosky and Suzanne Andrade production which Prieto has already performed at the Teatro Real in Madrid (Spain) as well as in the main opera house in the Polish capital.<\/p>\n<p>In Dresden, however, Joel Prieto will be Belmonte in a production directed by Michiel Dijkema and conducted by Christopher Moulds.<\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 36px; left: 20px;\">Guardar<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 36px; left: 256px;\">Guardar<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 44px; left: 20px;\">Guardar<\/span><\/p>\n<p><strong><a href=\"https:\/\/www.joelprieto.com\/es\/2017\/03\/03\/joel-prieto-to-sing-the-flute-and-the-abduction\/flautamagicaiii-3310r\/\" rel=\"attachment wp-att-1215\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1215 alignleft\" src=\"https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r.jpg\" alt=\"\" width=\"452\" height=\"281\" srcset=\"https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r.jpg 1122w, https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r-300x186.jpg 300w, https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r-768x477.jpg 768w, https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r-1024x636.jpg 1024w, https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r-520x323.jpg 520w, https:\/\/www.joelprieto.com\/wp-content\/uploads\/2017\/03\/FlautaMagicaIII-3310r-80x50.jpg 80w\" sizes=\"(max-width: 452px) 100vw, 452px\" \/><\/a>-The tenor returns to Dresden and Warsaw in April and May, in both cases with Mozart operas.<\/strong><\/p>\n<p>March 2017<br \/>\nThe tenor Joel Prieto, winner of the 2008 Operalia Competition, made his debut at the Los Angeles Opera (USA) this January as Belmonte in the Mozart opera <i>The Abduction from the Seraglio<\/i>\u2013 \u201cprobably the most difficult role that I have sung in my career,\u201d according to the young singer, who triumphed on the occasion with both audiences and critics alike. \u201cPrieto has Mozartian vocal virtues, with a delicate line, excellent passagio and infinite <i>fiato<\/i> \u2026 His is a voice of true quality\u2026 His performance reached perfection\u201d. \u201cJoel Prieto sang a Belmonte almost with the sound of the oboe, always in the exact centre of the note\u201d.<\/p>\n<p>The tenor, who was born in Madrid, brought up in Puerto Rico and trained in New York, will be faithful to Mozart throughout April, May and June. He will return to the Dresden Semperoper (Germany) to sing Belmonte in seven performances, whilst, on the 28th April, he will give a one-off performance as Prince Tamino in <i>Die Zauberfl\u00f6te<\/i> at the Teatr Wielki in Warsaw (Poland), where the Polish National Opera is based. This will be a repeat of the acclaimed Barrie Kosky and Suzanne Andrade production which Prieto has already performed at the Teatro Real in Madrid (Spain) as well as in the main opera house in the Polish capital.<\/p>\n<p>In Dresden, however, Joel Prieto will be Belmonte in a production directed by Michiel Dijkema and conducted by Christopher Moulds.<\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 36px; left: 325px;\">Guardar<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Guardar<\/span><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>-The tenor returns to Dresden and Warsaw in April and May, in both cases with Mozart operas. March 2017 The tenor Joel Prieto, winner of the 2008 Operalia Competition, made his debut at the Los Angeles Opera (USA) this January as Belmonte in the Mozart opera The Abduction from the Seraglio\u2013 \u201cprobably the most difficult [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/posts\/1213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/comments?post=1213"}],"version-history":[{"count":0,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/posts\/1213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/media\/27011"}],"wp:attachment":[{"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/media?parent=1213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/categories?post=1213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.joelprieto.com\/es\/wp-json\/wp\/v2\/tags?post=1213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}