“Although Don Ottavio is given two of the most demanding tenor arias
\nin all of opera, young Puerto Rican tenor Joel Prieto glides through
\nthem with amazing breath control and sweet, sweet tone. The character
\nis a real puppy dog, content to wait until Anna comes around, and not
\nfully believing that a nobleman such as Giovanni could be the beast
\nshe accuses him of being. Prieto’s plangent singing conveys innocence
\nand a young man’s ardor, managing to make whipped Ottavio fully
\nrounded and almost believable.”
\nHouston Press January 28, 2013<\/p>\n
“Joel Prieto’s bright and illustrious tenor instrument is perfectly
\nemployed in his portrayal of Don Ottavio.”
\nOpera.broadwayworld.com January 27, 2013<\/p>\n
“Joel Prieto’s HGO debut proves persuasive in portraying Don Ottavio.
\nHis voice was perfectly that of a faithful young lover: sweet, clear,
\nand forceful.”
\nhttp:\/\/houston.culturemap.com January 26, 2013.<\/p>\n
“Joel Prieto sang with grace and fluency as Anna’s sweetheart, Don Ottavio.”
\nHouston Chronicle January 28, 2013<\/p>\n
“Don Ottavio sung with precise enunciation and clarity by Joel Prieto.”
\nartandhockey.com January 28, 2013
\n<\/p>","protected":false},"excerpt":{"rendered":"
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